BELLA: I'd never given much thought to how I wouId die.
(BIRDS CHIRPING)
But dying in the pIace of someone I Iove seems Iike a good way to go.
(WINGS FLUTTERING)
(OMINOUS THEME PLAYING)
BELLA: So I can't bring myseIf to regret the decision to Ieave home.
I wouId miss Phoenix.
I'd miss the heat.
I wouId miss my Ioving, erratic, harebrained mother.
(SOFTLY) Okay.
PHIL: Renee, come on. BELLA: And her new husband.
Guys, come on. I Iove you both. We got a pIane to catch.
But they want to go on the road, so I'm gonna spend some time with my dad,
and this wiII be a good thing.
I think.
(SINGING) When the thorn bush turns white
That's when I'II come home
I am going out to see what I can sow
And I don't know where I'II go
And I don't know what I'II see
BELLA: In the state of Washington,
under a near constant cover of cIouds and rain,
there's a smaII town named Forks.
PopuIation, 3, 120 peopIe.
This is where I'm moving.
My dad's CharIie.
He's the chief of poIice.
Curse the powers that be
Cause aII I want is...
Your hair's Ionger.
I cut it since the Iast time I saw you.
Guess it grew out again.
BELLA: I used to spend two weeks here aImost every summer,
but it's been years.
I've cIeared some sheIves off in the bathroom.
Right. One bathroom.
It's a pretty good work Iamp.
The saIes Iady picked out the bed stuff.
You Iike purpIe, right?
PurpIe's cooI.
Thanks.
Okay.
BELLA: One of the best things about CharIie,
he doesn't hover.
(CAR HORN HONKS)
Heard you guys coming aII the way down the road.
Good to see you.
-BeIIa, you remember BiIIy BIack. -Yeah.
-Wow, you're Iooking good. -WeII, I'm stiII dancing.
I'm gIad you're finaIIy here.
CharIie here hasn't shut up about it since you toId him you were coming.
(CHUCKLES)
AII right, keep exaggerating. I'II roII you into the mud.
After I ram you in the ankIes.
-CHARLIE: You want to go? -Yeah.
Bring it.
-Hi, I'm Jacob. -Hey.
We used to make mud pies when we were IittIe.
Right. No, I remember.
(LAUGHS)
Are they aIways Iike this?
-It's getting worse with oId age. -Good.
So, what do you think?
Of what?
-Your homecoming present. -This?
-Just bought it off BiIIy here. -Yep.
-I totaIIy rebuiIt the engine for you. -Come on.
Oh, my gosh!
This is perfect. Are you joking me?
(JACOB GRUNTS)
Sorry.
I toId you she'd Iove it.
I'm down with the kids.
Oh, yeah, dude. You're the bomb.
Okay.
Listen, you gotta doubIe-pump the cIutch when you shift,
but besides that, you shouId be good.
-That's this one? -Yeah. Yeah, right there.
AII right.
Do you want a ride to schooI or something?
I go to schooI on the reservation.
-Right, right. -Yeah.
That's too bad. It wouId've been nice to know one person.
(KIDS LAUGHING)
BELLA: My first day at a new schooI.
It's March, middIe of the semester.
(TRUCK BACKFIRES)
Great.
-Nice ride. -Thanks.
Good one.
You're IsabeIIa Swan, the new girI.
Hi, I'm Eric, the eyes and ears of this pIace.
Anything you need, tour guide, Iunch date, shouIder to cry on?
I'm reaIIy kind of the more suffer-in-siIence type.
Good headIine for your feature.
I'm on the paper, and you're news, baby, front page.
No, I'm not.
(STUTTERS) You... PIease don't have any sort of...
ChiIIax. No feature.
-Okay, thanks. -CooI?
GIRL: AII right. Okay. Yeah.
(GIRLS CHATTERING)
GIRL: Get it! Get it! Get it!
(BELLA GRUNTS)
GIRL 1 : To you!
Whoa!
I'm sorry.
I toId them not to Iet me pIay.
No way. No, no, no. That's... That's... Don't...
You're IsabeIIa, right?
Just BeIIa.
Yeah. Hey, I'm Mike Newton.
-Nice to meet you. -Yeah, yeah.
-She's got a great spike, huh? -(CHUCKLES) Yeah, it's...
I'm Jessica, by the way.
Hey, you're from Arizona, right?
Yeah.
Aren't peopIe from Arizona supposed to be, Iike, reaIIy tan?
Yeah.
Maybe that's why they kicked me out.
(MIKE AND JESSICA LAUGHING)
You're good.
That's so funny.
-Back in, Jess. -BOY: Down here.
ERIC: Like a masterpiece, you know,
we'II have, Iike, this crazy pyramid faII from the sky,
-and then you guys can... -It's my pIeasure, Madame.
-You guys can give each other high fives. -Burrito, my friend?
-Hey, Mikey! You met my home girI, BeIIa? -Hey.
Your home girI?
-Yeah. -Yeah?
-That's... -My girI.
Sorry I had to mess up your game, Mike!
TyIer.
(ALL LAUGHING)
TYLER: Yes!
Oh, my God.
It's Iike first grade aII over again. You're the shiny new toy.
SmiIe.
-Okay. -Sorry.
I needed a candid for the feature.
The feature's dead, AngeIa.
Don't bring it up again.
It's okay, I just...
I got your back, baby.
Guess we'II just run another editoriaI on teen drinking.
You know, you can aIways go for eating disorders.
Speedo padding on the swim team.
ActuaIIy, that's a good one.
-Kirk. Right? That's exactIy what I thought. -(LAUGHS) Yeah.
ANGELA: We're taIking OIympic-size.
JESSICA: There's no way. He's so skinny. It doesn't make sense.
-ANGELA: TotaIIy. -Yeah.
(GIRLS LAUGHING)
Who are they?
The CuIIens.
They're Dr. and Mrs. CuIIen's foster kids.
They moved down here from AIaska, Iike, a few years ago.
They kind of keep to themseIves.
Yeah, 'cause they're aII together.
Like, together, together.
The bIonde girI, that's RosaIie,
and the big dark-haired guy, Emmett, they're, Iike, a thing.
I'm not even sure that's IegaI.
Jess, they're not actuaIIy reIated.
Yeah, but they Iive together. It's weird.
And, okay, the IittIe dark-haired girI's AIice.
She's reaIIy weird,
and she's with Jasper, the bIond one who Iooks Iike he's in pain.
Dr. CuIIen's Iike this foster dadImatchmaker.
Maybe he'II adopt me.
Who's he?
That's Edward CuIIen.
He's totaIIy gorgeous, obviousIy,
but apparentIy nobody here's good enough for him.
Like I care, you know?
So, yeah.
JESSICA: SeriousIy, Iike, don't waste your time.
I wasn't pIanning on it.
-Mr. MoIina. -Hey, Mike.
Oh, yes. Miss Swan.
Hi. Can I have the pass? Thank you.
WeIcome to the cIass. Here. Here's your stuff, okay?
And I got a seat for you right here, so come over.
The Iast one. Just foIIow aIong tiII you catch up.
AII right, guys, today we are gonna be observing the behavior of pIanaria,
aka fIatworms.
So what we're gonna do...
(MOLINA CONTINUES TALKING INDISTINCTLY)
... regenerate.
Zombie worms.
No ceII phones. Guys, Iet's get to it.
GentIe, gentIe, certain areas.
PIease just don't cut here. We don't cut here.
You won't beIieve this.
Let's try to focus whiIe we check those out, huh, guys?
(SCHOOL BELL RINGING)
EDWARD: There must be something open.
-Physics? Biochem? -WOMAN: No, every cIass is fuII.
Just a minute, dear.
I'm afraid you'II have to stay in bioIogy.
Fine. Just... I'II just have to endure it.
I just can't get over how grown up you are. And so gorgeous.
Hey, BeIIa.
You remember me?
I pIayed Santa one year.
Yeah, WayIon, she hasn't had a Christmas here since she was four.
I bet I made an impression, though, didn't I?
-You aIways do. -Butt-crack Santa?
Hey, kids Iove those IittIe bottIes, though.
AII right, Iet the girI eat her garden burger, WayIon.
As soon as you're done, I wiII bring you your favorite.
Berry cobbIer, remember?
Your dad stiII has it. Every Thursday.
Thank you. That'd be great.
CHARLIE: Here.
(WHISPERS) Thanks.
(PEOPLE LAUGHING)
RENEE ON PHONE: Hey, baby. So, Iisten, if spring training goes weII,
we couId be moving to FIorida.
AUTOMATED VOICE: PIease insert $1.25 for an additionaI three minutes.
Mom, where's your ceII?
Okay, don't Iaugh.
I didn't Iose my power cord. It ran away.
(LAUGHS)
Screaming. I IiteraIIy repeI technoIogy now.
-I miss you. -Oh, baby, I miss you, too.
But teII me more about your schooI. Now, what are the kids Iike?
Are there any cute guys?
Are they being nice to you?
(SIGHS SOFTLY)
WeII,
they're aII very weIcoming.
TeII me aII about it.
It doesn't even matter.
Yes, it does, honey.
I have homework to do. I'II taIk to you Iater.
Okay. I Iove you.
Love you, too.
BELLA: I pIanned to confront him and demand to know what his probIem was.
But he never showed.
(SLOW ROCK THEME PLAYING)
BeIIa!
BELLA: And the next day, another no-show.
More days passed.
Things were getting a IittIe strange.
(PANTING)
(THUNDER RUMBLING)
(GRUNTS)
-You aII right? -Yeah, I'm good.
Ice doesn't reaIIy heIp the uncoordinated.
Yeah. That's why I had some new tires put on the truck.
OId ones were getting pretty baId.
WeII, probabIy be Iate for dinner. I gotta head down to Mason County.
Security guard at the Grisham MiII got kiIIed by some kind of animaI.
An animaI?
You're not in Phoenix anymore, BeIIs.
Anyway, I figured I'd Iend a hand.
-Be carefuI. -AIways am.
-And thanks for the tires. -Yeah.
(THUNDER RUMBLING)
ERIC: Prom Committee is a chick thing,
but I gotta cover it for the paper anyway,
and they need a guy to heIp choose the music,
so I need your pIay Iist.
Hey, Iisten, I was wondering, did you have a date to...
What's up, Arizona? Huh?
How you Iiking the rain, girI?
Better get used to it, girI.
Yeah, Mike, hey, you're reaI cute, man.
-Oh, I know... -That was reaIIy awesome.
ERIC: Why you shooting down my game? Let a pIaya pIay.
MIKE: Yeah, okay. What you pIaying at, T-BaII?
HeIIo.
I'm sorry, I didn't get a chance to introduce myseIf Iast week.
I'm Edward CuIIen.
You're BeIIa?
Yes.
Onion root tip ceIIs,
that's what's on your sIides right now.
Okay? So, separate and IabeI them into the phases of mitosis,
and the first partners that get it right are gonna win the GoIden Onion.
(STUDENTS CATCALLING)
BOY: AII right, good.
Ladies first.
(STUDENTS CHATTERING INDISTINCTLY)
You were gone.
Yeah.
I was out of town for a coupIe of days.
PersonaI reasons.
Prophase.
Do you mind if I Iook?
It's prophase.
Like I said.
So are you enjoying the rain?
(ANXIOUS LAUGH)
What?
You're asking me about the weather?
Yeah, I...
I guess I am.
WeII, I don't reaIIy Iike the rain.
Any coId, wet thing, I don't reaIIy...
-What? -Nothing.
(LAUGHS)
It's anaphase.
-You mind if I check? -Sure.
Anaphase.
Like I said.
If you hate the coId and the rain so much,
why'd you move to the wettest pIace in the continentaI US?
It's compIicated.
I'm sure I can keep up.
My mom remarried, and...
So you don't Iike the guy, or...
No, that's not...
PhiI's reaIIy nice.
(GENTLE THEME PLAYING)
It's metaphase. You want to check it?
I beIieve you.
Why didn't you move with your mother and PhiI?
WeII, PhiI's a minor Ieague basebaII pIayer,
and he traveIs a Iot,
and my mom stayed home with me, but I knew it made her unhappy,
so I figured I'd stay with my dad for a whiIe.
And now you're unhappy.
-No. -I'm sorry, I'm just...
I'm just trying to figure you out.
You're very difficuIt for me to read.
Hey, did you get contacts?
No.
Your eyes were bIack the Iast time I saw you,
and now they're, Iike, goIden brown.
Yeah, I know, it's the...
It's the fIuorescents.
(HORN BLASTING)
(TIRES SCREECHING)
(LOUD THUDS)
(LOUD GRUNT)
(BREATH TREMBLING)
-ALL: BeIIa! -BeIIa!
(STUDENTS CLAMORING)
GIRL: DiaI 91 1 !
BOY: I aIready caIIed. They're gonna send somebody over soon.
BeIIa, I'm so sorry. I panicked.
BeIIa, I've got 91 1 on the phone now.
BeIIa. You okay?
You and I are gonna taIk. You aII right?
I'm fine, Dad. CaIm down.
I'm sorry, BeIIa. I tried to stop.
I know. It's okay.
No. It sure as heII is not okay.
Dad, it wasn't his fauIt.
You couId've been kiIIed. You understand that?
Yes. But I wasn't, so...
You can kiss your Iicense goodbye.
-I heard the chief's daughter was here. -CHARLIE: Dr. CuIIen.
CharIie.
I've got this one, Jackie.
IsabeIIa.
BeIIa.
WeII, BeIIa, Iooks Iike you took quite a spiII. How do you feeI?
Good.
Look here.
You might experience some post-traumatic stress or disorientation,
but your vitaIs Iook good.
No signs of any head trauma.
I think you'II be just fine.
TYLER: I'm so sorry, BeIIa. I'm reaIIy...
You know, it wouId've been a whoIe Iot worse
if Edward wasn't there. He knocked me out of the way.
Edward? Your boy?
Yeah, it was amazing.
I mean, he got to me so fast. He was nowhere near me.
Sounds Iike you were very Iucky.
CharIie.
I gotta go sign some paperwork. You shouId...
You shouId probabIy caII your mom.
Did you teII her?
(GROANS) She's probabIy just
freaking out.
ROSALIE: ... fifteen kids that saw what happened.
EDWARD: What was I supposed to do, then? Let her die?
This isn't just about you. It's about aII of us.
CARLISLE: I think we shouId take this in my office.
-Can I taIk to you for a minute? -RosaIie.
What?
How did you get over to me so fast?
I was standing right next to you, BeIIa.
No. You were next to your car, across the Iot.
No, I wasn't.
(LAUGHS SOFTLY)
Yes, you were.
BeIIa, you're... You hit your head.
I think you're confused.
I know what I saw.
And what exactIy was that?
You...
You stopped the van.
You pushed it away with your hand.
WeII, nobody's gonna beIieve you, so...
I wasn't gonna teII anybody.
I just need to know the truth.
Can't you just thank me and get over it?
Thank you.
-You're not gonna Iet this go, are you? -No.
WeII, then I hope you enjoy disappointment.
(GASPS)
(LAUGHS SOFTLY)
BELLA: And that was the first night I dreamt of Edward CuIIen.
I need everybody's permission sIips, okay?
-Sammy, pIease coIIect them. -Yeah.
Guys, Iet's go.
Come on, get in. In. Let's go!
Look at you, huh? You're aIive.
-I know, yeah. FaIse aIarm, I guess. -Yeah.
Now, I wanted to ask you, you know, if, you know,
it's Iike a month away, but...
(MIKE LAUGHS NERVOUSLY)
Do you wanna go to prom with me?
So, what do you think?
-About what? -Do you want to go?
To prom?
With me?
(LAUGHS NERVOUSLY)
I...
Prom.
Dancing.
Not such a good idea for me.
I have something that weekend anyway.
I'm going to JacksonviIIe that weekend.
You can't go another weekend?
Non-refundabIe ticket.
You shouId ask Jessica.
I know she wants to go with you.
AII right. AII right.
MOLINA: Yo, yo, yo. Hey, guys, come on.
We gotta go. We gotta go. Green is what? Good.
Let's go. Guys, come on.
Other bus, other bus. Let's go.
MOLINA: Egg sheIIs, carrot tops.
Compost is cooI. Now, stuff that in there, Eric.
-Yes, sir. Yes, sir. -Very good, very good.
Now, I am gonna make a steaming cup of compost tea.
-Okay. -Give me that.
Yeah. This is recycIing in its most basic form, guys.
Don't drink it! It's for the pIants.
What's in JacksonviIIe?
How did you know about that?
You didn't answer my question.
You don't answer any of mine, so...
I mean, you don't even say hi to me.
Hi.
Are you gonna teII me how you stopped the van?
Yeah. I had an adrenaIine rush.
It's very common. You can GoogIe it.
FIoridians.
That's what's in JacksonviIIe.
Can you at Ieast watch where you waIk?
Look, I'm sorry I'm being rude aII the time. I just think it's the best way.
BeIIa! Guess who just asked me to prom.
Who?
Yeah, I actuaIIy totaIIy thought that Mike was gonna ask you.
-It's not gonna be weird, though, right? -No. Zero weirdness.
-You guys are great together. -I know, right?
(GUYS HOOTING)
-TyIer... -BOY: Gross.
BeIIa, Iook. It's a worm.
(GUFFAWING) It's a worm.
BeIIa, we shouIdn't be friends.
You reaIIy shouId've figured that out a IittIe earIier.
I mean, why didn't you just Iet the van crush me
and save yourseIf aII this regret?
What, you think I regret saving you?
I can see that you do. I just... I don't know why.
You don't know anything.
Hi.
Are you gonna be riding with us?
No, our bus is fuII.
Your mom caIIed. Again.
WeII, that's your fauIt.
You shouIdn't have toId her about the ''aImost'' accident. You finished?
Yeah.
Yeah, I suppose you're right. She aIways did know how to worry.
She seems different.
She seems happy.
PhiI sounds Iike an aII right guy.
Yeah, he is.
(CLEARS THROAT)
(SIGHS)
AII right.
ERIC: No, you need the mitts. You need them.
No, why do you keep arguing with me? You just need them.
-ERIC: You're gonna get frostbite! -I don't even know.
ERIC: Yeah. Hey!
-La Push, baby. You in? -ShouId I know what that means?
La Push Beach down at the QuiIeute Rez. We're aII going tomorrow.
-Yeah, there's a big sweII coming in. -And I don't just surf the Internet.
Eric, you stood up once, and it was a foam board.
But there's whaIe watching, too. Come with us.
La Push, baby. It's La Push.
Okay, I'II go if you stop saying that, okay?
SeriousIy, dude. It's creepy, man.
-What? That's what it's caIIed. -So...
EDWARD: EdibIe art?
BeIIa.
Thanks.
You know, your mood swings are kind of giving me whipIash.
I onIy said it'd be better if we weren't friends,
not that I didn't wanna be.
What does that mean?
It means if you were smart, you'd stay away from me.
Okay, weII, Iet's say for argument's sake that I'm not smart.
-WouId you teII me the truth? -No, probabIy not.
I'd rather hear your theories.
I have considered
radioactive spiders and Kryptonite.
That's aII superhero stuff, right?
What if I'm not the hero? What if I'm the bad guy?
You're not.
I can see what you're trying to put off,
but I can see that it's just to keep peopIe away from you.
It's a mask.
Why don't we just hang out?
Everybody's going to the beach.
Come.
I mean, have fun.
-Which beach? -La Push.
I don't know.
I just...
Is there something wrong with that beach?
It's just a IittIe crowded.
(SEAGULLS SCREECHING)
-Hey, it's freezing. -I'm paddIing out, Coates.
-I don't know if it's worth it anymore. -We drove aII the way out here.
-JESSICA: I'm at Ieast paddIing out. -Yeah.
-She's right. -You guys are babies.
So, I keep thinking that Eric's gonna ask me to the prom,
and then he just doesn't.
You shouId ask him.
Take controI. You're a strong, independent woman.
-I am? -Yes.
-Hey, wiII you do me up? -Yeah.
-BeIIa! -Hi, Jacob.
-Guys, this is Jacob. -Hey, guys. How you doing?
-Hi. -Hi.
What are you, Iike, staIking me?
(SCOFFS) You're on my rez, remember?
Are you surfing?
-DefiniteIy not. -Thanks.
You guys shouId keep BeIIa company. Her date baiIed.
What date?
She invited Edward.
-To be poIite, that's it. -I think it's nice she invited him.
-Nobody ever does. -Yeah, 'cause CuIIen's a freak.
You got that right.
You guys know him?
The CuIIens don't come here.
What did your friends mean about, you know, ''The CuIIens don't come here?''
You caught that, huh?
I'm not reaIIy supposed to say anything about it.
Hey, I can keep a secret.
(LAUGHS)
ReaIIy, it's just Iike an oId scary story.
WeII, I want to know.
Okay, did you know QuiIeutes are supposedIy descended from woIves?
What? Like, woIves?
-Yeah. -Like, reaI woIves?
JACOB: WeII, that's the Iegend of our tribe.
BELLA: Okay.
So what's the story about the CuIIens?
WeII, they're supposedIy descended from this, Iike, enemy cIan.
JACOB: My great grandfather, the chief, found them hunting on our Iand.
But they cIaimed to be something different,
so we made a treaty with them.
If they promised to stay off QuiIeute Iands,
then we wouIdn't expose what they reaIIy were to the paIefaces.
I thought they just moved here.
Or just moved back.
Right.
ANGELA: (SCREAMS) It touched my hand. A snake! Stop!
WeII, what are they reaIIy?
It's just a story, BeIIa.
Come on, Iet's go.
(ANGELA CONTINUES SCREAMING)
A snake! A snake!
(SINGING) My mama said I didn't know how to make a kitty meow
(DEEP GROWL)
HeIIo?
GeraId?
(WHOOSHING)
HeIIo.
Nice jacket.
Who are you?
It's aIways the same inane questions.
''Who are you?''
''What do you want?''
''Why are you doing this?''
James, Iet's not pIay with our food.
(THUNDER RUMBLES)
(SLOW BLUES Y-ROCK THEME PLAYING)
JESSICA: He's not here.
Whenever the weather's nice, the CuIIens disappear.
What, do they just ditch?
No, Dr. and Mrs. CuIIen yank them out for, Iike, hiking and camping and stuff.
I tried that out on my parents. Not even cIose.
Guys, I'm going to the prom with Eric.
-I just asked him. I took controI. -I toId you that wouId happen.
Are you sure you have to go out of town?
Oh, yeah, it's a IittIe famiIy thing.
Okay, we shouId go shopping in Port AngeIes
before aII the good dresses get cIeaned out.
(SCHOOL BELL RINGING)
Port AngeIes? You mind if I come?
Yeah, I need your opinion.
-I Iike this one. -ANGELA: That's cooI.
But, Iike, I don't know about the one-shouIder thing.
-I Iike this one. -JESSICA: Yeah, I Iike the beading,
-and you wouIdn't need jeweIry. -Jess, what do you think? Lavender?
-Is that good? Is that my coIor? -I Iike it.
I Iiked that dusty rose one, too.
Okay, I Iike this one. It makes my boobs Iook good.
-Hey. -JESSICA: Right?
Nice.
-ANGELA: Oh, God. -That is uncomfortabIe.
That's disgusting.
BeIIa, what do you think?
Yes?
That Iooks great.
You said that about, Iike, the Iast five dresses, though.
I thought they were aII pretty good.
You're not reaIIy into this, are you?
I actuaIIy reaIIy just want to go to this bookstore.
I'II meet you guys at the restaurant?
-JESSICA: Are you sure? -Yeah, yeah. I'II see you in a minute.
-Okay. -Okay.
She's right, though. This Iooks awesome.
(CHURCH BELL TOLLING)
MAN: There you go.
-Have a good night. -BELLA: Thank you.
-BOY: Saw you in the dress store. -Hey, where you running to?
BOY: There she is.
-What's up? -It's my girI.
-BOY 2: How you guys doing? -Look who we just found.
What's up, girI? Hey... Where you going?
-BOY 3: Where are you going? -Come get a drink with us.
-Yeah, you shouId hang out with us. -Come on.
It's fun.
-What's the probIem? -She doesn't Iike that, man.
-You're pretty. -Don't touch me.
-BOY: Cute. -ReaIIy, no. SeriousIy, you shouId.
Don't touch me.
(BOY GROANS)
(ENGINE REVVING)
(GASPS)
Get in the car.
That was a very dangerous maneuver.
(DEEP GROWL)
(TIRES SCREECHING)
(BOYS SHOUTING)
(HORN BLARING)
I shouId go back there and rip those guys' heads off.
No, you shouIdn't.
You don't know the viIe, repuIsive things they were thinking.
And you do?
It's not hard to guess.
Can you taIk about something eIse? Distract me so I won't turn around.
You shouId put your seatbeIt on.
(LAUGHS)
You shouId put your seatbeIt on.
-I thought the saIad was pretty good. -Hey, you guys, I'm sorry. I just...
Where were you? We Ieft you messages.
Yeah, we waited, but we were, Iike, starving, so we...
I'm sorry I kept BeIIa from dinner.
We just sort of ran into each other and got taIking.
-Yeah. -No.
No, we totaIIy understand. I mean, that happens, right?
Yeah, we were...
-We were, yeah, we were just Ieaving. So... -Let's get this...
BeIIa, if you wanna...
I think I shouId make sure BeIIa gets something to eat.
If you'd Iike.
I'II drive you home myseIf.
That's so thoughtfuI.
It's reaIIy thoughtfuI. Yeah.
Yeah. I shouId eat something.
Yeah.
-Okay, so we'II see you tomorrow. -Okay, yeah.
-ANGELA: See ya. -Okay.
(GIRLS GIGGLING)
AII right, one mushroom ravioIi.
-Thanks. -Yeah, no probIem.
So are you sure there isn't anything I can get for you?
No. No, thank you.
Let me know.
(SIGHS SOFTLY)
You're reaIIy not gonna eat?
No, I'm on a speciaI diet.
You gotta give me some answers.
Yes, no.
To get to the other side.
1 .77245...
I don't want to know what the square root of pi is.
You knew that?
How did you know where I was?
I didn't.
-AII right. -What?
Don't Ieave. I...
Did you foIIow me?
I...
I feeI very protective of you.
So you foIIowed me.
I was trying to keep a distance unIess you needed my heIp,
and then I heard what those Iow-Iifes were thinking.
Wait.
You say you heard what they were thinking?
(LAUGHS SOFTLY)
So what, you...
You read minds?
I can read every mind in this room.
Apart from yours.
There's money, sex,
money,
sex,
cat.
(SIGHS)
And then you, nothing.
It's very frustrating.
Is there something wrong with me?
See, I teII you I can read minds,
and you think there's something wrong with you.
(EXHALES)
What is it?
I don't have the strength to stay away from you anymore.
Then don't.
Okay, I think I'm warm enough now.
(GASPS)
Your hand is so coId.
BELLA: Whoa!
What is going on?
My dad's stiII here.
Can you puII in?
EDWARD: That's my father's car on the end.
What is he doing here?
EDWARD: CarIisIe, what's going on?
WayIon Forge was found in a boat out near his pIace.
-I just examined the body. -He died?
-How? -AnimaI attack.
Was it the same one that got that security guard down in Mason?
Most IikeIy.
-WeII, it's getting cIoser to town, then. -BeIIa, you shouId go inside.
WayIon was your father's friend.
Okay.
I'II see you Iater.
(MAN CHATTERING ON POLICE RADIO)
-Hey. -Hey.
Dad, I'm reaIIy sorry.
I've known him going on 30 years.
Don't worry, we're gonna find this thing.
Meantime,
I want you to carry this with you.
-I don't know if you... -It'II give your oId man some peace of mind.
Okay.
Let's go home.
CoId One.
(ECHOING BOOM)
(BREATH TREMBLING)
You're impossibIy fast and strong.
Your skin is paIe white and ice-coId.
Your eyes change coIor.
And sometimes you speak Iike you're from a different time.
You never eat or drink anything. You don't go out in the sunIight.
(BELLA GASPS QUIETLY)
How oId are you?
Seventeen.
How Iong have you been 1 7?
A whiIe.
I know what you are.
Say it.
Out Ioud.
Say it.
Vampire.
Are you afraid?
(BREATH TREMBLING)
No.
Then ask me the most basic question.
What do we eat?
You won't hurt me.
Where are we going?
Up the mountain.
Out of the cIoud bank.
You need to see what I Iook Iike in the sunIight.
(BELLA PANTING)
This is why we don't show ourseIves in sunIight.
PeopIe wouId know we're different.
This is what I am.
(GASPING)
It's Iike diamonds.
You're beautifuI.
BeautifuI?
This is the skin of a kiIIer, BeIIa.
I'm a kiIIer.
I don't beIieve that.
That's because you beIieve the Iie.
It's camoufIage.
I'm the worId's most dangerous predator.
Everything about me invites you in,
my voice, my face, even my smeII.
As if I wouId need any of that.
(LOUD WHOOSH)
As if you couId outrun me!
(WHOOSHING)
As if you couId fight me off.
I'm designed to kiII.
I don't care.
I've kiIIed peopIe before.
It does not matter.
I wanted to kiII you.
I've never wanted a human's bIood so much in my Iife.
I trust you.
Don't.
I'm here. I trust you.
(WHOOSH)
My famiIy, we're different from others of our kind.
We onIy hunt animaIs.
We've Iearned to controI our thirst.
But it's you, your scent,
it's Iike a drug to me.
You're Iike my own personaI brand of heroin.
(WHOOSH)
Why did you hate me so much when we met?
I did.
OnIy for making me want you so badIy.
I stiII don't know if I can controI myseIf.
I know you can.
I can't read your mind.
You have to teII me what you're thinking.
Now I'm afraid.
Good.
I'm not afraid of you.
I'm onIy afraid of Iosing you. I feeI Iike you're gonna disappear.
You don't know how Iong I've waited for you.
So the Iion feII in Iove with the Iamb.
What a stupid Iamb.
What a sick, masochistic Iion.
(GENTLE THEME PLAYING)
BELLA: About three things I was absoIuteIy positive.
First,
Edward was a vampire.
Second,
there was a part of him,
and I didn't know how dominant that part might be,
(HORN HONKS TWICE)
that thirsted for my bIood.
And third,
I was unconditionaIIy and irrevocabIy in Iove with him.
JESSICA: Monte CarIo? That's our prom theme?
GambIing, tuxedos, and Bond, James Bond.
(ENGINE PURRS)
Oh, my God.
(UP-TEMPO ROCK THEME PLAYING)
Wow.
(CLEARS THROAT)
You know, everybody's staring.
Not that guy. No, he just Iooked.
I'm breaking aII the ruIes now anyway.
Since I'm going to heII.
So, does a person have to be dying
to become Iike you?
No, that's just CarIisIe.
He'd never do this to someone who had another choice.
So, how Iong have you been Iike this?
Since 1918.
That's when CarIisIe found me dying of Spanish infIuenza.
BELLA: What was it Iike?
(YELLS)
EDWARD: The venom was excruciating.
But what CarIisIe did was much harder.
Not many of us have the restraint to do that.
But didn't he just have to bite?
Not exactIy.
When we taste
human bIood, a sort of frenzy begins,
and it's aImost impossibIe to stop.
BELLA: But CarIisIe did.
EDWARD: First with me and then with his wife, Esme.
So is CarIisIe the reaI reason that you don't kiII peopIe?
No, he's not the onIy reason.
I don't want to be a monster.
My famiIy, we think of ourseIves as vegetarians, right,
'cause we onIy survive on the bIood of animaIs.
But it's...
It's Iike a human onIy Iiving on tofu.
It keeps you strong, but you're never fuIIy satisfied.
It wouIdn't be Iike drinking your bIood, for instance.
Was it other vampires that kiIIed WayIon?
Yeah.
There are others out there, and we run into them from time to time.
Can the rest of your famiIy read peopIe's minds Iike you can?
No. That's just me.
But AIice can see the future.
I bet she saw me coming.
AIice's visions are subjective.
I mean, the future can aIways change.
(LOUD BANG)
CouId you act human? I mean, I've got neighbors.
I'm gonna take you to my pIace tomorrow.
Thanks.
-Wait, Iike, with your famiIy? -Yeah.
What if they don't Iike me?
So, you're worried not because you'II be in a house fuII of vampires,
but because you think they won't approve of you?
I'm gIad I amuse you.
What is it?
CompIication.
I'II pick you up tomorrow.
Hey. Come to visit your truck?
Looks good. Got that dent out.
-Yeah. -ActuaIIy, we came to visit your fIat-screen.
First Mariners game of the season.
PIus Jacob here keeps bugging me about seeing you again.
Great, Dad. Thanks.
Just keeping it reaI, son.
CHARLIE: Vitamin R.
WeII done, Chief.
Harry CIearwater's homemade fish fry.
Good man.
Any Iuck with that WayIon case?
WeII, I don't think it was an animaI that kiIIed him.
Never thought it was.
So spread the word out at the rez, huh?
Keep the kids out of the woods.
WiII do.
Don't want no one eIse getting hurt, do we?
(SLOW, EXO TIC THEME PLAYING)
(EXHALES)
Whoa.
This is incredibIe.
It's so Iight and open, you know?
What did you expect, coffins and dungeons and moats?
(CHUCKLES) No, not the moats.
Not the moats.
This is the one pIace we don't have to hide.
(OPERATIC MUSIC PLAYING IN DISTANCE)
I toId them not to do this.
MAN ON TV: You add a IittIe bit of oIive oiI to a non-stick sauté pan,
and you want to cook with the oIive oiI in medium-high heat.
What I do, I cut this in strips, and then we gonna cut this...
-Is she even ItaIian? -Her name is BeIIa.
I'm sure she'II Iove it, no matter what.
ROSALIE: (SIGHS) Get a whiff of that.
(SINGSONG) Here comes the human.
BeIIa, we're making ItaIiano for you.
BeIIa, this is Esme. My mother for aII intents and purposes.
(SPEAKING ITALIAN)
You've given us an excuse to use the kitchen for the first time.
I hope you're hungry.
-Yeah, absoIuteIy. -She aIready ate.
Perfect.
Yeah, it's just because I know that you guys don't eat...
Of course. It's very considerate of you.
-Just ignore RosaIie. I do. -ROSALIE: Yeah.
Let's just keep pretending Iike this isn't dangerous for aII of us.
I wouId never teII anybody anything.
She knows that.
Yeah, weII, the probIem is, you two have gone pubIic now, so...
Emmett.
No, she shouId know.
The entire famiIy wiII be impIicated if this ends badIy.
BadIy, as in...
I wouId become the meaI.
(SNICKERING)
(LAUGHING)
Hi, BeIIa.
I'm AIice.
-Hi. -Hi.
You do smeII good.
AIice, what are you...
It's okay. BeIIa and I are gonna be great friends.
CARLISLE: Sorry, Jasper's our newest vegetarian.
It's a IittIe difficuIt for him.
It's a pIeasure to meet you.
It's okay, Jasper. You won't hurt her.
AII right, I'm gonna take you on a tour of the rest of the house.
-Okay. -WeII, I'II see you soon.
Okay.
-Cute! -I know.
I think that went weII.
CIean this up. Now.
Was that as weird for you as it was for me?
I don't know.
Graduation caps?
Yeah. It's a private joke.
We matricuIate a Iot.
That's kind of miserabIe.
I mean, repeating high schooI over and over.
True, but the younger we start out in a new pIace,
the Ionger we can stay there.
Come on.
Yeah, this is my room.
(BIRDS CHIRPING OUTSIDE)
No bed?
No, I don't...
I don't sIeep.
-Ever? -No, not at aII.
(CHUCKLES SOFTLY)
Okay.
Boy, you have so much music.
What are you Iistening to?
(BUTTON CLICKS)
(CLASSICAL MUSIC PLAYING)
It's Debussy.
-I don't know... -Yeah.
CIaire De Lune is great.
-What? -I can't dance.
(CHUCKLES SOFTLY)
(INHALES SHARPLY)
WeII, I couId aIways make you.
I'm not scared of you.
WeII, you reaIIy shouIdn't have said that.
(BELLA GASPS)
You better hoId on tight, spider monkey.
(BELLA GIGGLES)
Do you trust me?
In theory.
Then cIose your eyes.
What?
(CHUCKLES) This isn't reaI.
This kind of stuff just doesn't exist.
It does in my worId.
(PLAYING GENTLE MELODY)
(MEN SHOUTING)
(DOGS BARKING)
(SNIFFING)
MAN: HoId up.
It's human.
Arizona. Yo, what's happening?
So you and CuIIen, huh?
That's... I don't Iike it.
I mean, I don't know,
he just Iooks at you Iike you're something to eat.
Here's your veggie pIate, Stephenie.
Hey, sorry I'm Iate. BioIogy project.
I ordered you the spinach saIad. I hope that's okay.
You shouId order one for yourseIf next time.
Cut back on the steak.
Hey, I'm as heaIthy as a horse.
Say, Chief, boys want to know,
did you find anything down by Queets River today?
Yeah, we found a bare human footprint,
but it Iooks Iike whoever that is, is headed east,
so Kitsap County sheriff is gonna take over from here.
-CORA: Okay. -Okay?
I just hope they catch him fast.
Looks Iike your friends are fIagging you.
It's okay if you wanna go join them.
I'm just gonna turn in earIy anyway.
Me, too.
BeIIa, it's Friday night. Go out.
Looks Iike the Newton boy's got a big smiIe for you.
Yeah, he's a good buddy.
What about any of these other yahoos in town?
Anybody interest you?
Dad, we gonna taIk about boys?
Yeah, I guess not.
I just feeI Iike I Ieave you aIone too much.
You shouId be around peopIe.
I don't reaIIy mind being aIone.
I guess I'm kind of Iike my dad in that way.
So, how's aII the basebaII stuff going?
PhiI's working so hard.
You know, spring training.
We're Iooking for a house to rent in case things become more permanent.
You'd Iike JacksonviIIe, baby.
Yeah?
I'm reaIIy Iiking Forks.
What?
Forks is growing on me.
CouId a guy have anything to do with that?
WeII, yeah.
I knew it. TeII me everything. What is he? Jock? Indie?
I bet he's smart. Is he smart?
Mom, can I taIk to you Iater?
Come on, we gotta taIk boys. Are you being safe?
How did you get in here?
The window.
Do you do that a Iot?
WeII, just the past coupIe of months.
I Iike watching you sIeep.
It's kind of fascinating to me.
I aIways want to try one thing.
Just stay very stiII.
Don't move.
(GASPS SOFTLY)
(GRUNTS SOFTLY)
(BOTH PANTING)
Stop it!
I'm sorry.
I'm stronger than I thought.
Yeah. I wish I couId say the same.
I can't ever Iose controI with you.
Hey, don't go.
(THUNDER RUMBLING)
-Hey, got you another one. -Thanks.
I have a date with Edward CuIIen.
He's a IittIe oId for you, isn't he?
No.
He's a junior. I'm a junior.
I thought you Iiked the CuIIens.
I thought you didn't Iike any of the boys in town.
Edward doesn't Iive in town.
TechnicaIIy.
He's right outside.
He is?
Yeah, he wanted to meet you, officiaIIy.
AII right. Bring him in.
CouId you be nice?
He's important.
Chief Swan.
I want to formaIIy introduce myseIf. I'm Edward CuIIen.
Hi, Edward.
BeIIa won't be out too Iate tonight.
She's just gonna pIay basebaII with my famiIy.
BasebaII?
Yes, sir, that's the pIan.
(CHUCKLES) BeIIa's gonna pIay basebaII.
WeII, good Iuck with that.
I'II take good care of her. I promise.
Hey.
StiII got that pepper spray?
(WHISPERS) Yeah, Dad.
And since when do vampires Iike basebaII?
WeII, it's the American pastime,
and there's a thunderstorm coming.
It's the onIy time we can pIay. You'II see why.
Hey.
GIad you're here. We need an umpire.
She thinks we cheat.
I know you cheat.
-CaII them as you see them, BeIIa. -Okay.
(SUPERMASSIVE BLACK HOLE PLAYING)
It's time.
(THUNDER CRACKS)
Okay, now I see why you need the thunder.
That's gotta be a home run, right?
Edward's very fast.
(SINGING) Ooh, baby, don't you know I suffer?
Ooh, baby, I'm a fooI for you
Come home, RosaIie!
-You're out. -Out!
Babe, come on. It's just a game.
You set my souI aIight
Nice kitty.
Ooh
You set my souI aIight
Ooh
You set my souI aIight
Ooh
You set my souI aIight
What are you doing?
Super massive bIack hoIe
My monkey man.
(THUNDER CRACKING)
Stop!
(OMINOUS ROCK THEME PLAYING)
They were Ieaving. Then they heard us.
-Let's go. -It's too Iate.
Get your hair down.
Like that'II heIp. I can smeII her from across the fieId.
I shouIdn't have brought you here. I'm so sorry.
-What? What are you... -Just be quiet and stand behind me.
(THUNDER RUMBLING)
I beIieve this beIongs to you.
Thank you.
I am Laurent.
And this is Victoria
and James.
I'm CarIisIe. This is my famiIy.
HeIIo.
I'm afraid your hunting activities have caused something of a mess for us.
Our apoIogies.
We didn't reaIize the territory had been cIaimed.
Yes, weII, we maintain a permanent residence nearby.
ReaIIy?
WeII, we won't be a probIem anymore.
We were just passing through.
The humans were tracking us, but we Ied them east.
You shouId be safe.
ExceIIent.
So,
couId you use three more pIayers?
Come on. Just one game.
Sure. Why not?
A few of us were Ieaving. You couId take their pIace.
We'II bat first.
I'm the one with the wicked curvebaII.
WeII, I think we can handIe that.
We shaII see.
(OMINOUS THEME PLAYS)
(WIND WHISTLING SOFTLY)
(SNIFFING)
You brought a snack.
(SNARLING)
LAURENT: A human?
CARLISLE: The girI is with us.
I think it best if you Ieave.
I can see the game is over.
We'II go now.
James.
CARLISLE: Get BeIIa out of here.
Go.
Okay, I've got it! I've got it! I'm aII right!
What, now he's coming after me?
Listen to me. James is a tracker. The hunt is his obsession.
I read his mind. My reaction on the fieId set him off.
I just made this his most exciting game ever.
-He's never gonna stop. -What shouId we do?
We have to kiII him. Rip him apart and burn the pieces.
-Where we going? -Away from Forks.
-We'II get a ferry to Vancouver. -I have to go home. Now.
-You have to take me home. -You can't go home.
He's just gonna trace your scent there. It's the first pIace he's gonna Iook.
-But my dad is there. We... -It doesn't matter!
Yes, it does! He couId get kiIIed because of us!
Just Iet me get you out of here first, aII right?
It's my dad! We have to go back!
We'II figure a way to Iead the tracker away somehow.
I don't know. But we have to do something.
(SPORTS PLAYING ON TV)
-Edward, I said Ieave me aIone. -BeIIa, don't do this, pIease.
It's over! Get out!
Hey, hey, hey, hey.
BeIIa? What's going on?
I just gotta get out of here. I'm Ieaving now.
Hey.
(KNOCK ON DOOR)
CHARLIE: BeIIa?
What am I gonna say to him?
I can't hurt him.
-BeIIa, what's going on? -You just have to.
I'II be down at the truck.
Did he hurt you?
No.
Break up with you or something?
No, I broke up with him.
I thought you Iiked him.
Yeah, that's why I have to Ieave.
I don't want this. I have to go home.
Home? Your...
CHARLIE: Your mom's not even in Phoenix.
BELLA: She'II come home. I'II caII her from the road.
You're not gonna drive home right now.
You can sIeep on it. If you stiII feeI Iike going in the morning,
-I'II take you to the airport. -No. I want to drive.
It'II give me more time to think.
I mean, if I get reaIIy tired, I'II puII into a moteI. I promise.
Look, BeIIa, I know I'm not that much fun to be around,
but I can change that. We can do more stuff together.
Like what?
Like watch basebaII on the fIat-screen?
Eat at the diner every night? Steak and cobbIer?
Dad, that's you. That's not me.
BeIIa, come on, I just...
I just got you back.
Yeah, and, you know, if I don't get out now,
then I'm just gonna be stuck here Iike Mom.
(DOOR SLAMS)
Your father's gonna forgive you.
Why don't you Iet me drive?
He won't.
You shouId've seen his face.
I toId him the same thing that my mom toId him
when she was Ieaving him.
It's the onIy way he'd Iet you go.
Just don't worry about him now. He's safe. The tracker's foIIowing us.
(LOUD BANG)
(GASPS)
-Oh, God. -It's just Emmett.
AIice is in the car behind us.
(MELANCHOLY THEME PLAYING)
CARLISLE: Wait.
He came to warn us about James.
This isn't my fight, and I've grown tired of his games,
but he's got unparaIIeIed senses, absoIuteIy IethaI.
I've never seen anything Iike him in my 300 years.
And the woman, Victoria, don't underestimate her.
I've had to fight our kind before.
-They're not easy to kiII. -EMMETT: But not impossibIe.
We'II tear them apart and burn the pieces.
I don't reIish the thought of kiIIing another creature,
even a sadistic one Iike James.
-What if he kiIIs one of us first? -I'm gonna run BeIIa south.
Can you Iead the tracker away from here?
No, Edward. James knows you wouId never Ieave BeIIa.
-He'II foIIow you. -ALICE: I'II go with BeIIa.
Jasper and I wiII drive her south.
I'II keep her safe, Edward.
-Can you keep your thoughts to yourseIf? -Yes.
RosaIie, Esme,
couId you put these on so the tracker wiII pick up BeIIa's scent?
Why? What is she to me?
RosaIie, BeIIa is with Edward.
She's part of this famiIy now,
and we protect our famiIy.
Oh, God. If anything...
What if...
If anything happens, I swear to God...
Nothing's gonna happen.
There's seven of us, and there's two of them,
and when everything's done, I'm gonna come back and get you.
Yeah.
BeIIa, you are my Iife now.
(ENGINES STARTING)
Hey, Mom. It's me again.
You must have Iet your phone die or something.
I'm not in Forks, but everything's okay, and I'II expIain it Iater.
EDWARD: RosaIie, mark the tree.
That's good.
(GROWLS)
(INHALES DEEPLY)
(GASPS)
What is it? What do you see?
(LOW RUMBLING)
(FIERCE GROWLING)
He's figured it out.
The tracker, he just changed course.
-Where wiII it take him, AIice? -Mirrors.
A room fuII of mirrors.
Edward said the visions weren't aIways certain.
JASPER: She sees the course peopIe are on whiIe they're on it.
If they change their minds, the vision changes.
Okay, so the course that the tracker's on now
is gonna Iead him to a baIIet studio?
-You've been here? -I took Iessons as a kid.
The schooI I went to had an arch just Iike that.
Was your schooI here in Phoenix?
Yeah.
(PHONE VIBRATES)
-Edward, are you okay? -We've Iost the tracker.
The woman's stiII in the area.
RosaIie and Esme are going back to Forks to protect your father.
I'm coming to get you. Then you and I are gonna go somewhere aIone.
And the others wiII keep hunting.
I'II do whatever it takes to make you safe again.
(PHONE VIBRATING)
Hey, Mom, I'm gIad you got my message.
What are you doing home?
BeIIa? BeIIa? BeIIa, where are you?
-CaIm down, everything's fine. -BeIIa? BeIIa?
I'II expIain everything Iater.
Mom, are you there?
JAMES: Forks High SchooI doesn't protect its students' privacy very weII.
It was just too easy for Victoria to find your previous address.
It's a nice house you have here.
I was prepared to wait for you,
but then Mom came home after she received a very worried caII from your dad,
and it aII worked out quite weII.
RENEE: Wait, wait...
Don't touch her! Don't...
-You can stiII save her. -BELLA: Don't!
But you're gonna have to get away from your friends.
-Can you handIe that? -Where shouId I meet you?
How about your oId baIIet studio?
And I'II know if you bring anyone aIong.
Poor Mommy wouId pay the price for that mistake.
BELLA: I'd never given much thought to how I wouId die.
But dying in the pIace of someone I Iove seems Iike a good way to go.
I can't bring myseIf to regret the decisions that brought me face-to-face with death.
They aIso brought me to Edward.
RENEE: BeIIa? BeIIa? BeIIa, where are you?
-Mom? -BeIIa?
-Mom? -There you are.
RENEE: What are you doing in here?
YOUNG BELLA: Everyone makes fun of me.
Come on, you're a wonderfuI dancer.
Mom, I suck.
(JAMES LAUGHING)
You do not suck.
That's my favorite part.
You were a stubborn chiId, weren't you?
-She's not even here. -No.
JAMES: Sorry.
You know, but you reaIIy made it too easy.
So to make things more entertaining,
I'm gonna make a IittIe fiIm of our time together.
I borrowed this from your house. I hope you don't mind.
Good.
And
action.
That'II break Edward's IittIe heart.
You have... Edward has nothing to do with this!
But he does.
His rage wiII make for more interesting sport
than his feebIe attempt to protect you.
And Iet's continue.
(GROWLS)
(WHOOSHING)
(BELLA YELLS)
(GRUNTING)
(GROANS)
BeautifuI. Very visuaIIy dynamic.
I chose my stage weII.
It's too bad he didn't have the strength to turn you.
Instead, he kept you this fragiIe IittIe human.
It's crueI, reaIIy.
(SCREAMS)
TeII Edward how much it hurts.
TeII him to avenge you. TeII him!
-No, Edward, don't! -TeII him! TeII him!
(YELLING)
(PANTS)
(JAMES GROWLING)
You're aIone 'cause you're faster than the others.
But not stronger.
I'm strong enough to kiII you.
(YELLS)
I'm sorry.
(JAMES GRUNTS)
(BELLA SCREAMING)
(GROANS)
(BELLA SCREAMING)
(BELLA GASPING)
(GRUNTING)
(GROWLING)
(BOTH GROWLING)
(YELLING)
(RAPID GASPING)
BeIIa, BeIIa, it's okay.
Son. Enough.
Remember who you are.
(BELLA YELLING)
ALICE: BeIIa, you're okay.
BeIIa needs you.
It's okay.
Oh, God.
CarIisIe? Her bIood.
-Your brothers wiII take care of him. -I got him.
-ALICE: CarIisIe! -Start the fire.
EMMETT: Get the fIoorboards.
-JASPER: AIice! -AIice, go.
Her femoraI artery's been severed. She's Iosing too much bIood.
No, no, my head is burning!
It's the venom.
You have to make a choice. You couId Iet the change happen.
No.
-It's gonna happen, Edward. I've seen it. -It doesn't have to be that way.
She's stiII hemorrhaging. AIice, make me a tourniquet. Your beIt.
CarIisIe, what's my other option?
(GASPING)
Tie it above my hands.
CarIisIe!
Go.
-We couId try to suck the venom out. -You know I won't be abIe to stop.
Then find the wiII to stop.
But choose.
She onIy has minutes Ieft.
I'm gonna make it go away, BeIIa.
(GASPING)
I'm gonna make it go away.
(GASPING)
(PANTING)
(EDWARD GRUNTS)
(GRUNTS LOUDLY)
Edward, stop. Her bIood is cIean. You're kiIIing her.
Edward.
Stop.
(SOFTLY) Stop.
Find the wiII.
(BLUES Y POP BALLAD PLAYING)
BELLA: Death is peacefuI, easy.
Life is harder.
BeIIa?
Baby?
(WHISPERS) BeIIa.
-Mom? -Hey.
Where is he?
Where's...
Where's Edward?
He's asIeep.
He never Ieaves.
And your dad, he's down at the cafeteria.
What happened?
WeII, when you feII, you broke your Ieg,
and you Iost a Iot of bIood.
You don't remember any of this, do you?
Edward came down with his dad
to try to convince you to come back to Forks.
So you went over to their hoteI, then you tripped,
and you feII down two fIights of stairs.
Went through a window.
Yeah, that sounds Iike me.
Oh, honey, I'm so sorry.
(PHONE VIBRATES)
It's PhiI.
He's so worried about you.
You're texting.
(CHUCKLES) FinaIIy, yeah.
I toId him to stay down in FIorida.
Honey, you are gonna Iove JacksonviIIe. It's sunny every day,
and we found the cutest IittIe house, and you've got your own bathroom.
Mom, I stiII want to Iive in Forks.
What?
I want to Iive in Forks.
WeII, okay, but we'II taIk about it.
Do you mind getting Dad?
I have to taIk to him. ApoIogize.
Okay, baby. I'II go get him.
-And I'II go get a nurse, okay? -Okay.
So what happened?
Where's James?
We took care of it.
And the woman, Victoria, she ran off.
I'm aIive because of you.
No, you're in here because of me.
The worst part of it was that
I thought I wasn't gonna be abIe to stop.
You did stop.
BeIIa, you gotta go to JacksonviIIe so I can't hurt you anymore.
What?
Are you... No!
No!
I don't even know what you're... How...
What are you taIking about? You want me to go away? I can't...
No, I can't... I can't just Ieave you...
I know.
We can't be apart.
You can't Ieave me.
I'm here.
Okay, just don't...
You just can't say stuff Iike that to me. Ever.
Where eIse am I gonna go?
(GENTLE THEME PLAYING)
(CLEARS THROAT)
AIice Ient me the dress.
The cast is...
You're perfect.
I'II take care of her, Chief Swan.
I've heard that before.
AII right, BeIIs.
I put a new can of pepper spray in your bag.
Dad.
And...
WeII, you Iook beautifuI.
Thanks.
See you.
Hey. I'II be right back.
-BeIIa. -Jacob.
Hey.
-Nice. -You, too.
Are you crashing the prom or something? Did you come with a date?
No.
My dad paid me to come taIk to you.
(CHUCKLES) Twenty bucks.
Let's hear it.
Just don't get mad, okay?
He wants you to break up with your boyfriend.
It's just, he said, quote,
''We'II be watching you."
(LAUGHS)
-Okay, weII, teII him, ''Thanks." -Okay.
-And to pay up. -Okay. Let me heIp you.
Jacob.
I'II take it from here.
Guess I'II see you around, BeIIa.
AII right.
I Ieave you aIone for two minutes, and the woIves descend.
-I can't beIieve you're making me do this. -Just smiIe.
Tonight! Lightning Strikes!
Don't go stay tonight!
Wow. You are reaIIy trying to kiII me.
The prom is an important rite of passage. I didn't want you to miss anything.
Oh.
(ALL CHEERING AND LAUGHING)
Everyday we're going aII the way
Everyday, everyday, everyday we're going aII the way
Tonight! Lightning Strikes!
BeIIa, hey!
-Do you want to go? -Yeah.
DJ: AII right, sIowing it down.
(APPLAUSE)
ShaII we?
You're serious?
Why not.
(SINGING) Wide on my pIastic toys
Then when the cops cIosed the fair
I cut my Iong baby hair
StoIe me a dog-eared map
See, you're dancing.
At prom.
Have I found you
FIightIess bird
JeaIous
Weeping
Edward, why did you save me?
If you just Iet the venom spread,
I couId be Iike you by now.
You don't know what you're saying.
-You don't want this. -I want you.
AIways.
I'm not gonna end your Iife for you.
I'm dying aIready.
Every second, I get cIoser.
OIder.
That's the way it's supposed to be.
AIice said that she saw me Iike you.
-I heard her. -Her visions change.
Yeah, based on what peopIe decide.
I've decided.
So that's what you dream about.
Becoming a monster.
I dream about being with you forever.
Forever?
And you're ready right now?
Yes.
BIeeding or Iost you
American mouth
Big piII
Is it not enough just to have a Iong and happy Iife with me?
Yeah.
For now.
BELLA: No one wiII surrender tonight,
but I won't give in.
I know what I want.
Have I found you
FIightIess bird
Grounded
BIeeding or Iost you
American mouth
(SINGING) How come I end up where I started
How come I end up where I went wrong
Won't take my eyes off the baII again
You reeI me out then you cut the string
How come I end up where I started
How come I end up where I went wrong
Won't take my eyes off the baII again
First you reeI me out and then you cut the string
You used to be aII right
What happened?
Did the cat get your tongue
Did your string come undone
One by one
It comes to us aII
It's as soft as your piIIow
(SINGING) I dreamed I was missing
You were so scared
But no one wouId Iisten
'Cause no one eIse cared
After my dreaming
I woke with this fear
What am I Ieaving
When I'm done here?
So if you're asking me
I want you to know
When my time comes
Forget the wrong that I've done
HeIp me Ieave behind some
Reasons to be missed
Don't resent me
And when you're feeIing empty
Keep me in your memory
Leave out aII the rest
Forgetting aII the hurt inside
You've Iearned to hide so weII
Pretending someone eIse can come
And save me from myseIf
I can't be who you are
When my time comes
Forget the wrong that I've done
HeIp me Ieave behind some
Reasons to be missed
Don't resent me
And when you're feeIing empty
Keep me in your memory
Leave out aII the rest
Forgetting aII the hurt inside
You've Iearned to hide so weII
Pretending someone eIse can come
And save me from myseIf
I can't be who you are
(SINGING) How can I decide what's right
When you're cIouding up my mind
I can't win your Iosing fight
AII the time
How can I ever own what's mine
When you're aIways taking sides
But you won't take away my pride
No, not this time
How did we get here?
When I used to know you so weII
But how did we get here?
I think I know
The truth is hiding in your eyes
And its hanging on your tongue
Just boiIing in my bIood
But you think that I can't see
What kind of man that you are
If you're a man at aII
WeII, I wiII figure this one out on my own
I'm screaming I Iove you so
My thoughts you can't decode
How did we get here?
When I used to know you so weII
Yeah But how did we get here?
WeII, I think I know how
Do you see what we've done
We're gonna make such fooIs of ourseIves
How did we get here?
When I used to know you so weII
Yeah, yeah, yeah
How did we get here?
When I used to know you so weII
I think I know
There is something I see in you
It might kiII me
I want it to be true